Song Reassignment Surgery: Bold Covers 3

Diamond Dogs (David Bowie), 1974: Beck (2001)

Vivienne Westwood does “diamond” dogs

Enter the name of any song on YouTube and you’ll likely find covers aplenty. Most will be pale recreations of the original source material. Even fewer will add anything new or insightful along the way. Instead, what you’ll find are fans playing songs they love: affectionate but, as an artistic endeavor, pointless.

The best covers will offer something new. They’ll add something to the song’s language, changing it’s tone and personality, even it’s face and body—hence the “reassignment surgery.” Doing it well is a tall order and that’s why the good ones are such a rarity. As I said here, a good cover will even make you hear the lyrics in a new way—adding more subtext to the original.

Some Cover Champions of Note: 

• Jeff Buckley, Hallelujah
• Janis Joplin, Me and Bobby Magee
• David Bowie, Wild Is the Wind
• Johnny Cash, Hurt
• Earth, Wind, and Fire, Got to Get You Into My Life
• Talking Heads, Take Me to the River
• Bryan Ferry, A Hard Rain’s Gonna Fall
• Jimi Hendrix, All Along the Watchtower
• Nina Simone, I Put a Spell on You, especially this, and just about anything else she’s done
• And this: two Dutch teens wring depths of emotion from Creep you never knew was there, while betraying the emotion with grinning faces

And Cover Losers: Mostly everyone and everything else.

Another add for the Champion List: This diamond from the Moulin Rouge! movie soundtrack.

The Heads Burn Without Byrne

The album was No Talking, Just Head (1996). The band was the Talking Heads without figurehead David Byrne. In his place would be a roster of luminary guest vocalists also contributing to the material, including lyrics. At the time of its release, the album was met with considerable skepticism. The result was immediately dismissed by critics and fans alike: sales tanked.

I’m going to guess that, like me, most never bothered to listen to it. I still wouldn’t have had it not been for drummer Chris Frantz’s recent interview in Rolling Stone to push his recently published memoir, Remain in Love. In it, he mentions the album. It turns out, the album wasn’t the turd we were led to believe it was.

Like this one with Concrete Blonde’s Johnette Napolitano:



By 1984, at the Talking Heads’ commercial peak, at Byrne’s insistence, the band stopped touring. By the later years the band’s music had become less collaborative and Byrne would eventually leave the enterprise behind by 1991. I’ve heard it said that bassist Tina Weymouth had been wanting to get Byrne out for some time and hoped to replace him with guitarist/vocalist Adrian Belew. If you don’t know, Belew had toured with Talking Heads in both 1980 and 1981 and also played on the Tom Tom Club’s 1981 debut album—a Tina Weymouth and Chris Frantz side project that would go on to do very well. (Belew would join King Crimson in 1981.)

XTC’s Andy Partridge also makes a contribution.