Roxy Music: One of the great twisted voices of the 70s whose musical skid marks were left all over the 80s. They were a band that understood the importance of total integration of branding. In their early period, as evidenced below, their every aspect was a highly overdriven exercise in style: music, hair, make up, glittery fashion, PR, graphics, ambiance, milieu, and all with a quotient of cool as envisioned through a group of mascaraed, ersatz art school twinks. They were stylistically glam and yet miles away from it. They bore vestiges of prog yet had none of its excess or pretension. They had the insolence of punk and the self consciousness of New Wave at a time when New Wave was only used to describe French cinema. Their songs represented shovelfuls of music hall, cabaret, vaudville, showtunes, a thimbleful of The Beatles, and generous dollops of misappropriated Chuck Berry, Little Richard, and Blue Cheer. And all of it done in a way that was quintessentially British.
Later on they'd smooth out the kinks and become the sleekly mature and buttoned up sound so favored by the AOR mainstream (see Avalon). It was a respectable move but nowhere near the prime of their kinkier origins. In 1973, their glory was in those kinks. You should love them if you don't already.
See here for an earlier post on one of the great songs from their early mid-period.
1) Do the Strand
2) Editions of You
3) In Every Dream Home A Heartache
4) Re-Make/Re-Model
Thanks to Dangerous Minds and Art Chantry for the prompt.
1 comment:
Nice article! Love your analysis and descriptives. Saw Bryan Ferry at the Kodak some years back. A class act. Only way I can describe it is maybe 60's vegas lounge silky rock.
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